[Sdalliance] Making Communities: Art and the Border opens March 3

Fred Lonidier pres2034 at san.rr.com
Thu Mar 2 18:08:44 PST 2017


Dear all,

Please find enclosed a copy of the exhibition announcement for Making  
Communities: Art and the Border.

Warmest wishes,
Tatiana




Making Communities: Art and the Border

March 3 - April 13

Opening Reception in Two Locations
Friday, March 3, 5:30 - 8:00 pm
University Art Gallery (UAG), UC San Diego and
SME Visual Arts Gallery (SME), UC San Diego

UAG Special Exhibition Preview, February 28 - March 2, 11:00 am -  
4:00 pm

UAG Gallery Hours: Tuesday - Thursday, 11:00 - 4:00 pm

SME Gallery Hours: Monday, Tuesday, Friday, 2:30 - 6:00 pm


LA JOLLA--Making Communities: Art and the Border highlights the  
border as site for artistic creativity and production. It is the  
third major exhibition in the series VISUAL ARTS @ 50: ART INTO LIFE,  
celebrating the 50th anniversary of the department.

The Visual Arts Department of UC San Diego has a proud, long-standing  
history of collaboration and engagement with artists in Tijuana and  
the Chicano Community in San Diego. In recent days, the nation has  
been subjected to an "America First" rhetoric treating the world as a  
contest between rival nations, in which our southern neighbor is  
cited as a cause of crime and economic decline. Making Communities:  
Art and the Border counters this dark rhetoric and view of the world  
with exhibitions at the University Art Gallery, the SME Visual Arts  
Gallery and the Cross-Cultural Center, celebrating cooperation and  
engagement with Mexican and immigrant communities as a source of  
creativity.

For the artists of Making Communities, the border is not just a as a  
physical reality imposed on the landscape by political forces and  
entities, but also a subject for the imagination and a site for  
social engagement and problem-solving. The multimedia exhibition in  
the University Art Gallery and SME Visual Arts Gallery features  
twenty artists whose work critiques and reassesses the border and  
imagines a more interconnected and just world. Contemporary Latino  
and Chicano art is also featured in a smaller, complementary  
exhibition in the Cross-Cultural Center galleries. Inspired by the  
Making Communities, the show there highlighting current student and  
alumni artists will open on March 8 and run until March 31.

The exhibitions are curated by alumna Tatiana Sizonenko Ph.D. '13.  
UAG and SME galleries feature UC San Diego artists including: David  
Avalos, Cog*nate Collective, Collective Magpie, Alida Cervantes,  
Teddy Cruz, Ricardo Dominguez, Louis Hock, Las Comadres, Fred  
Lonidier, Yolanda Lopez, Jean Lowe, Kim MacConnel, Victor Ochoa,  
Ruben Ortiz-Torres, Iana Quesnell, Allan Sekula, Elizabeth Sisco,  
Deborah Small, Perry Vasquez, and Yvonne Veneges.






Making Communities: Art and the Border Programming

Making Communities Art and the Border Opening Reception
March 3, 5:30 - 8:00 pm
University Art Gallery

Barb Wired Dreams: The Anatomy of an Image
A workshop with Yolanda Lopez
March 8, 3:00 - 4:30 pm
Cross Cultural Center

Making Communities: Art and the Border Panel
March 9, 5:00 - 7:00 pm
University Art Gallery, Mandeville Center

Featuring:

David Avalos (MFA '90) has devoted himself to socially and  
politically engaged art of the border region, informed by his  
involvement with the Committee on Chicano Rights. As a Professor in  
the School of Arts at CSU San Marcos, he continues to learn about the  
art-making process with his students and colleagues.

Rita Gonzalez (MFA '92) is Curator and Acting Department Head in  
Contemporary Art at the Los Angeles County Museum of Art where she  
has curated several exhibitions and has a forthcoming exhibition, A  
Universal History of Infamy coinciding with Pacific Standard Time LA/LA.

Yolanda Lopez (MFA '79) is a third-generation Chicana who is  
internationally renowned for her Virgen de Guadalupe series of  
drawings, prints, collage, assemblage, and paintings that depict  
"ordinary" Mexican women with Guadalupan attributes.

Elizabeth Sisco (MFA '81) is a contemporary American artist best  
known for her photo/text installations and collaborative public art  
projects. Her work reveals the social cost of conditions in society,  
especially for immigrants in California.

Ruben Ortiz-Torres (MFA, CalArts '92) is a multimedia artist and  
Professor at UC San Diego whose work explores the issues of  
globalization and the various, sometimes conflicted, responses to  
this newest form of Euro-American dominance. Born in Mexico City to a  
couple of Latin-American folkloric musicians, Ortiz-Torres is noted  
as one of the first artists in Mexico to position himself within Post- 
Modernism.

Moderator: Ricardo Dominguez, Visual Arts Associate Professor is a  
Hellman Fellow, and Principal/Principle Investigator at Calit2, he is  
the Co-founder of the Electronic Disturbance Theater (EDT), a group  
who developed virtual sit-in technologies in solidarity with the  
Zapatistas communities in Chiapas, Mexico, in 1998.

Dialagesthai
A Performance by Cog*nate Collective exploring the dialectical  
tension between abstraction and tangibility as experienced + lived  
across the US/Mexico border
April 6, 6:00 - 7:00 pm
Visual Arts Presentation Lab, SME 149

ACKNOWLEDGMENTS
The Department of Visual Arts sincerely thanks participating artists,  
alumni, and lending institutions for their generous support and loans  
of works. We express our sincere appreciation to alumnus David Avalos  
whose enthusiasm and advice was indispensable and helped to make this  
exhibition a reality.

Additionally, we would particularly like to recognize curator Jill  
Dawsey and registrar Tom Callas of Museum of Contemporary Art San  
Diego and Rosie Morales of
Shoshana Wayne Gallery for the loan of works.

We are also grateful to the University of California Institute for  
Mexico and the United States (UC MEXUS) for supporting Making  
Communities: Art and the Border.


VISUAL ARTS @ 50: ART INTO LIFE
Since its foundation in 1967, the artists, critics, theorists and  
historians of the Department of Visual Arts have been at the  
forefront of developing, studying, and promoting new and post-studio  
practices for art in an expanded field. Honoring the call of seminal  
faculty member Allan Kaprow to blur the line between art and life,  
VISUAL ARTS @ 50: ART INTO LIFE seeks to engage the campus and  
community in celebrating the illustrious history of the Department  
and in shaping its future.


Click here for a campus map to the University Art Gallery

Click here for a campus map to the SME Visual Arts Gallery

  Click here for a campus map to the Cross Cultural Center


Media Contact:
Sheena Ghanbari
sghanbari at ucsd.edu
858-822-7755

Image Credits (top to bottom): David Avalos, Donkey Cart Altar, 1985,  
42" x 28" x 45," wood, acrylic paint, chain link fence, foam, shot  
glasses, .357 Magnum rounds, candles, forks, dice, paper flowers,  
plastic statues of liberty, circular saw blades; Iana Quesnell, My  
Tijuana, 2006, Graphite on Paper, 120" x 42"

---------- Forwarded message ----------
From: UC San Diego Visual Arts <sghanbari at ucsd.edu>
Date: Fri, Feb 24, 2017 at 3:36 PM
Subject: Making Communities: Art and the Border opens March 3
To: tatianasizonenko at gmail.com






Making Communities: Art and the Border

March 3 - April 13

Opening Reception in Two Locations
Friday, March 3, 5:30 - 8:00 pm
University Art Gallery (UAG), UC San Diego and
SME Visual Arts Gallery (SME), UC San Diego

UAG Special Exhibition Preview, February 28 - March 2, 11:00 am -  
4:00 pm

UAG Gallery Hours: Tuesday - Thursday, 11:00 - 4:00 pm

SME Gallery Hours: Monday, Tuesday, Friday, 2:30 - 6:00 pm


LA JOLLA--Making Communities: Art and the Border highlights the  
border as site for artistic creativity and production. It is the  
third major exhibition in the series VISUAL ARTS @ 50: ART INTO LIFE,  
celebrating the 50th anniversary of the department.

The Visual Arts Department of UC San Diego has a proud, long-standing  
history of collaboration and engagement with artists in Tijuana and  
the Chicano Community in San Diego. In recent days, the nation has  
been subjected to an "America First" rhetoric treating the world as a  
contest between rival nations, in which our southern neighbor is  
cited as a cause of crime and economic decline. Making Communities:  
Art and the Border counters this dark rhetoric and view of the world  
with exhibitions at the University Art Gallery, the SME Visual Arts  
Gallery and the Cross-Cultural Center, celebrating cooperation and  
engagement with Mexican and immigrant communities as a source of  
creativity.

For the artists of Making Communities, the border is not just a as a  
physical reality imposed on the landscape by political forces and  
entities, but also a subject for the imagination and a site for  
social engagement and problem-solving. The multimedia exhibition in  
the University Art Gallery and SME Visual Arts Gallery features  
twenty artists whose work critiques and reassesses the border and  
imagines a more interconnected and just world. Contemporary Latino  
and Chicano art is also featured in a smaller, complementary  
exhibition in the Cross-Cultural Center galleries. Inspired by the  
Making Communities, the show there highlighting current student and  
alumni artists will open on March 8 and run until March 31.

The exhibitions are curated by alumna Tatiana Sizonenko Ph.D. '13.  
UAG and SME galleries feature UC San Diego artists including: David  
Avalos, Cog*nate Collective, Collective Magpie, Alida Cervantes,  
Teddy Cruz, Ricardo Dominguez, Louis Hock, Las Comadres, Fred  
Lonidier, Yolanda Lopez, Jean Lowe, Kim MacConnel, Victor Ochoa,  
Ruben Ortiz-Torres, Iana Quesnell, Allan Sekula, Elizabeth Sisco,  
Deborah Small, Perry Vasquez, and Yvonne Veneges.






Making Communities: Art and the Border Programming

Making Communities Art and the Border Opening Reception
March 3, 5:30 - 8:00 pm
University Art Gallery

Barb Wired Dreams: The Anatomy of an Image
A workshop with Yolanda Lopez
March 8, 3:00 - 4:30 pm
Cross Cultural Center

Making Communities: Art and the Border Panel
March 9, 5:00 - 7:00 pm
University Art Gallery, Mandeville Center

Featuring:

David Avalos (MFA '90) has devoted himself to socially and  
politically engaged art of the border region, informed by his  
involvement with the Committee on Chicano Rights. As a Professor in  
the School of Arts at CSU San Marcos, he continues to learn about the  
art-making process with his students and colleagues.

Rita Gonzalez (MFA '92) is Curator and Acting Department Head in  
Contemporary Art at the Los Angeles County Museum of Art where she  
has curated several exhibitions and has a forthcoming exhibition, A  
Universal History of Infamy coinciding with Pacific Standard Time LA/LA.

Yolanda Lopez (MFA '79) is a third-generation Chicana who is  
internationally renowned for her Virgen de Guadalupe series of  
drawings, prints, collage, assemblage, and paintings that depict  
"ordinary" Mexican women with Guadalupan attributes.

Elizabeth Sisco (MFA '81) is a contemporary American artist best  
known for her photo/text installations and collaborative public art  
projects. Her work reveals the social cost of conditions in society,  
especially for immigrants in California.

Ruben Ortiz-Torres (MFA, CalArts '92) is a multimedia artist and  
Professor at UC San Diego whose work explores the issues of  
globalization and the various, sometimes conflicted, responses to  
this newest form of Euro-American dominance. Born in Mexico City to a  
couple of Latin-American folkloric musicians, Ortiz-Torres is noted  
as one of the first artists in Mexico to position himself within Post- 
Modernism.

Moderator: Ricardo Dominguez, Visual Arts Associate Professor is a  
Hellman Fellow, and Principal/Principle Investigator at Calit2, he is  
the Co-founder of the Electronic Disturbance Theater (EDT), a group  
who developed virtual sit-in technologies in solidarity with the  
Zapatistas communities in Chiapas, Mexico, in 1998.

Dialagesthai
A Performance by Cog*nate Collective exploring the dialectical  
tension between abstraction and tangibility as experienced + lived  
across the US/Mexico border
April 6, 6:00 - 7:00 pm
Visual Arts Presentation Lab, SME 149

ACKNOWLEDGMENTS
The Department of Visual Arts sincerely thanks participating artists,  
alumni, and lending institutions for their generous support and loans  
of works. We express our sincere appreciation to alumnus David Avalos  
whose enthusiasm and advice was indispensable and helped to make this  
exhibition a reality.

Additionally, we would particularly like to recognize curator Jill  
Dawsey and registrar Tom Callas of Museum of Contemporary Art San  
Diego and Rosie Morales of
Shoshana Wayne Gallery for the loan of works.

We are also grateful to the University of California Institute for  
Mexico and the United States (UC MEXUS) for supporting Making  
Communities: Art and the Border.


VISUAL ARTS @ 50: ART INTO LIFE
Since its foundation in 1967, the artists, critics, theorists and  
historians of the Department of Visual Arts have been at the  
forefront of developing, studying, and promoting new and post-studio  
practices for art in an expanded field. Honoring the call of seminal  
faculty member Allan Kaprow to blur the line between art and life,  
VISUAL ARTS @ 50: ART INTO LIFE seeks to engage the campus and  
community in celebrating the illustrious history of the Department  
and in shaping its future.


Click here for a campus map to the University Art Gallery

Click here for a campus map to the SME Visual Arts Gallery

  Click here for a campus map to the Cross Cultural Center


Media Contact:
Sheena Ghanbari
sghanbari at ucsd.edu
858-822-7755

Image Credits (top to bottom): David Avalos, Donkey Cart Altar, 1985,  
42" x 28" x 45," wood, acrylic paint, chain link fence, foam, shot  
glasses, .357 Magnum rounds, candles, forks, dice, paper flowers,  
plastic statues of liberty, circular saw blades; Iana Quesnell, My  
Tijuana, 2006, Graphite on Paper, 120" x 42"

	



	
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Center, La Jolla, CA 92093
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-- 
Tatiana Sizonenko
PhD
Art History, Theory, Criticism
Department of Visual Arts
University of California, San Diego

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