[mobglob-discuss] New Book "Murdered by Capitalism" - John Ross
Tom Childs
childst at douglas.bc.ca
Sat Jun 19 21:26:55 PDT 2004
Thought y'all be wantin' ta read Dan's post here on a new book by John Ross.
Best regards, Tom
>>>On behalf of Dan Clore <clore at columbia-center.org> 6/19/2004 1:29:34 PM >>>
News & Views for Anarchists & Activists:
http://groups.yahoo.com/group/smygo
Saturday, June 19, 2004
Author leads vigil in Trinidad today at grave of dead
'anarchist'
By The Times-Standard
A tombstone at the Trinidad Cemetery bears this epitaph:
Murdered by Capitalism.
The grave carries the remains of E.B. Schnaubelt, brother of
the infamous Rudolph "Haymarket" Schnaubelt.
E.B. Schnaubelt's life as an early 20th century anarchist
(he even tried to develop a timber company cooperative in
Trinidad at the turn of the century), is chronicled in a
recently released book "Murdered By Capitalism."
Author John Ross, a former Humboldt County resident who now
lives in Mexico City, will lead a vigil today that will
start at 5 p.m. at Trinidad Trading Co. and wind its way to
Schnaubelt's final resting place at the cemetery.
Ross, a journalist and author who also traveled to Iraq last
year to serve as a "human shield," said he hopes the vigil
will remind today's activists of the path blazed by early
progressives like Schnaubelt.
"I want to try to give younger activists some context out of
what's come before," Ross said.
Ross was also at Northtown Books Friday evening for a
book-signing event.
*****
San Francisco Chronicle
A lefty's rollicking memoir
Ross can't spell, but he sure knows how to write
by David Kipen
Tuesday, June 8, 2004
Murdered by Capitalism
A Memoir of 150 Years of Life and Death on the American Left
By John Ross
NATION BOOKS; 353 PAGES; $15.95
Note to self: Remember John Ross' "Murdered by Capitalism"
for year-end best books list!
Note back from self: Who could forget?
The red-diaper baby of a probable FBI informant and a mother
who helped organize a Broadway press-agents union, John Ross
has survived police nightsticks, amphetamine addiction and
an abortive stint as a human shield in Baghdad. Now he's
written a ragged but downright glorious memoir, which
doubles as a kind of "Spoon River Anthology" for the
American left.
Like Edgar Lee Masters' half-forgotten classic, "Murdered by
Capitalism" is, among much else, an oratorio for tombstones.
The book starts out as a riotous, fanciful duet in a
Humboldt County boneyard between Ross and the shade of
Edward Schnaubelt, a suspect in Chicago's Haymarket bombing
of 1886. Between them, they know a century and a half of
radical history. Eventually, it all builds to a
hell-for-leather chorus of Bolsheviks, Mensheviks and
anarcho-syndicalists -- not to mention the bronzed corpse of
a brimstone-eating President McKinley.
All of which would have sufficed to sell out the initial
print run at City Lights (whose co-founder, Lawrence
Ferlinghetti, has joined Thomas Pynchon in ponying up an
endorsement), but does little to prepare more apolitical
readers for the rabid majesty of Ross' prose. Check out this
hyperventilating hayride of a first line:
"Up against the splintery redwood fence at the top of the
blazing green jewel box of a cemetery in the tiny fishing
port of Trinidad, California, a few dozen miles short of the
Oregon line, amid daffodils and daisies and the family plots
of dead burghers and loggers, drowned fishermen and
Christianized Indians, a solitary cenotaph wobbles in the
Pacific wind like a peg-legged sailor
'E.B Schnaubelt
Born April 5th, 1855
Died May 22nd, 1913
MURDERED BY CAPITALISM'
the simple furious epitaph shouts."
I could have lived without those anticlimactic last five
words, by which time the passage has more than made its
point. But for panoramic sweep, high spirits and pure
sensory impact, the thing ticks along with all the momentum
of a saboteur's countdown. Ross even sneaks in the verb
"wobble," as if to put readers on notice that this
one-of-a-kind memoir will be, in both senses of the word, a
Wobbly history.
"Murdered by Capitalism" isn't a perfect book, by any
stretch. For one thing, decades of hallucinogens organic and
synthetic appear to have spared Ross' memory but ravaged his
spelling abilities. You can get a pretty good idea of how
much ground Ross covers here just by looking at a list of
the names he gets wrong. For a while it even looks as if
he's doing it on purpose, to tweak people he disagrees with:
Mormons, whose angel he spells Maroni; anti-Communists,
whose old Nevada tribune he spells McCarren; Christians,
whose messiah he has dead at 31 instead of 33; and
reporter-turned-screenwriter Joe Eszterhas, who once
bird-dogged a scoop away from the author.
But Ross is just as bad with everybody else. The Newspaper
Guild founder Heywood Broun he spells "Hayward Bruin,"
which, if nothing else, wins points for creativity. Ross
muffs the spelling of presidential assassins Giuseppe
Zangara and Charles Guiteau on consecutive pages. He puts
the Ambassador Hotel in Hollywood, which it isn't, and he
can't spell the name of the Audubon Ballroom, where Malcolm
X died. It's a wonder he spells X right. What must the
uncorrected proofs have looked like?
So why put up with a book that rails against amnesia of the
political kind, only to perpetuate it orthographically?
Because Ross is a prodigiously gifted stylist and
storyteller. There's a great moment when he describes the
fatal midnight of Julius and Ethel Rosenberg's execution,
with the "hands of the big illuminated clock atop S. Klein's
[drawing] closer, like pincers."
For all Ross' radicalism, he never goes easy on the left.
Much of the book's hysterically funny comedy comes from the
incessant infighting his characters stoop to, even beyond
the grave. As always, there's nobody like a Wobbly for a
squabble. Ross and Schnaubelt repeatedly break over
everything from doctrine to cover billing to anticipated
royalty statements. And the cacophony of posthumous voices
at the Martyrs' Monument in Chicago soon degenerates into
accusations of promiscuity, "variationism" and -- the
ultimate liberal heresy -- lowering their cemetery's
property values. Ross is never slow to condemn progressives
for inhabiting, as he puts it, "a bubble of our own blowing."
Of course, there are passages here that will make most
conservative readers do a spit take. It's one thing to
believe that McKinley's murder was the rare political
assassination that actually worked out for the best. It's
quite another to read Ross' fantasy about dynamiting the
Bush family's Christmas barbecue.
Luckily, Ross restricts these less housebroken impulses to
the realm of daydream. "Although I talked a good bomb game,"
he writes, "the only ones I ever threw were packed with
words." And packed, for the most part, smooth as Plastique.
By the way, "Murdered by Capitalism" is E.B. Schnaubelt's
real Trinidad epitaph, as evidenced in a couple of the
photos that accompany the text. Some fine unattributed Day
of the Dead-style woodcuts turn up, too, looking
suspiciously like the work of the great Mexican illustrator
José Guadalupe Posada.
One such tableau introduces the rousing seven-page poem with
which Ross' book closes, "The Days of the Dead of the
American Left." It's a pageant poem of the kind Roger Angell
used to write for the New Yorker's Christmas issues, a
cavalcade of calaveras in which all the heroes and villains
of southpaw folklore take a curtain call:
... Warren Beatty schtuped Louise Bryant
while Clarence Darrow signed up clients,
Jack London and J. Robert Oppenheimer
competed at Scrabble without a timer,
Karl Marx hugged Groucho, Gummo, and Zeppo
(Harpo and Chico got left at the depot) ...
That's Ross all over. The meter's off, the spelling
questionable. But the rhymes are ingenious and, my, doesn't
it swing?
E-mail David Kipen at
mailto:dkipen at sfchronicle.com
--
Dan Clore
Now available: _The Unspeakable and Others_
http://www.wildsidepress.com/index2.htm
http://www.amazon.com/exec/obidos/ASIN/1587154838/thedanclorenecro
Lord Weÿrdgliffe & Necronomicon Page:
http://www.geocities.com/SoHo/9879/
News & Views for Anarchists & Activists:
http://groups.yahoo.com/group/smygo
"It's a political statement -- or, rather, an
*anti*-political statement. The symbol for *anarchy*!"
-- Batman, explaining the circle-A graffiti, in
_Detective Comics_ #608
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